inherited IRA, part too many

Jan. 14th, 2026 04:56 pm
redbird: closeup of me drinking tea, in a friend's kitchen (Default)
[personal profile] redbird
I thought that all the money had been transferred from my mother's IRA account at BNY to my account at Fidelity at the end of December.

Last week, I got a message from Fidelity saying that a transfer couldn't be completed, and BNY needed to talk to me. That message was _exactly_ the same as the one I got in November, so I wasn't even sure this was a real thing rather than a glitch.

After several days of wrestling with phone trees and leaving messages with my advisor at Fidelity, I tried BNY again this afternoon. That wound up being a long phone call, including a long time on hold while the person I was talking to looked things up.

What he was able to tell me is that there is some amount of money greater than zero still in my mother's name at BNY, possibly capital gains on the money they had already transferred. The person I was talking to said he couldn't tell me how much, but that based on this call, I could have Fidelity call BNY and tell them to transfer this money.

But that would be too simple: Fidelity said they would need a current statement on the account. So, back to BNY, whose system is set up to provide information to people with accounts they can log into. The available workaround is for them to send me a request form, and for me to attach a copy of my mother's death certificate, and my driver's license, and then I should have it in 1-5 business days.

In the meantime, I have emailed my brother, who told me that any amount of money still in Mom's name in 2026 would complicate things for him as executor. (I was pleased to be able to email him on December 30 and tell him that the transfer had finally been completed.)
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[personal profile] james_davis_nicoll


A vast megadungeon from Expeditious Retreat Press for D&D, AD&D, and other tabletop fantasy roleplaying games.

Bundle of Holding: Halls of Arden Vul (from 2022)

Your spirit watched me up the stairs

Jan. 14th, 2026 02:54 pm
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[personal profile] sovay
My schedule for Arisia this year is minute, but a fairly big deal for me since the state of my health last allowed me to participate in programming in 2021. I mean, at the moment the state of my health is failed, but I'm still looking forward.

Dramatic Readings from the Ig Nobel Prizes
Saturday 3 pm, Amesbury AB
Marc Abrahams et al.

Highlights from Ig Nobel prize-winning studies and patents, presented in dramatic mini-readings by luminaries and experts (in some field). The audience will have an opportunity to ask questions about the research presented—answers will be based on the expertise of the presenters, who may have a different expertise than the researchers.

Cursed Literature
Sunday 4:15 pm, Central Square
Mark Millman (m), Alastor, Kristina Spinney, Sonya Taaffe

Some literature describes haunted houses; other books seem like they are haunted, as though the act of reading the book is inviting something vaguely unclean into the reader's life. Whether considering the dire typographical labyrinths of The House of Leaves, or the slowly expanding void at the heart of Kathe Koja's Cypher, some works leave a mark. Panelists will explore books that by reputation or their own experience, produce a lingering unsettled feeling far beyond the events and characters of the story.

SFF on Stage
Sunday 5:30 pm, Porter Square B
Raven Stern (m), Andrea Hairston, Greer Gilman, Sonya Taaffe, Stephen R. Wilk

Science fiction and fantasy have long been mainstays of live theater; William Shakespeare wrote A Midsummer Night's Dream in 1595. Peter Pan introduced one of the 20th century's best known characters in 1904. In 1920, R.U.R. gave us the word "robot." Universal Studios' famous version of Dracula was adapted not from the novel, but the wildly successful Broadway play. That's not even getting into modern musicals like Wicked or Little Shop of Horrors. What does it take for genre to work in a live setting, and where have we seen it succeed (or fail)?

Anyone else I can expect to see this weekend? The ziggurat awaits.
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[personal profile] oursin

What I read

Finished Dream Count - not quite up to her earlier works? all being a bit of the moment (starting in lockdown and so on)? Will see what comes out in discussion.

Mick Herron, Clown Town (Slough House, #9) (2025) possibly getting that series-dip effect a bit? And was I really supposed to be flashing on the Marx Brothers' stateroom scene in A Night at the Opera during one particularly fraught episode?

Matt Lodder, Tattoos: The Untold History of a Modern Art (2024), which was very impressive (and copiously illustrated) and one guesses a bit of a passion project*. Interesting that there is a recurrent theme of tattooing coming out from being a subcultural thing among lowlives: when the story in fact is that they were the ones for whom body art would be being recorded for identification, in muster-rolls or prison records etc, and people of more genteel status would not be In The Record as being inked unless for some unusual particular reason. And that its being/becoming a fashionable thing has cycled around or maybe always been there. Also fascinating the links between tattooers and the development of a subculture/s.

*Yes, we would like to see what he's got portrayed....

I intermitted this with JD Robb, Framed in Death (In Death, #61), which had come down to the (nostalgic) price of old mass-market paperbacks (now defunct). Not one of the stronger entries, yet again, serial killer with very specific modus.

On the go

Eve Babitz, I Used to Be Charming: The Rest of Eve Babitz (2019) collection of her journalism, 1975-1997.

Up next

Well, I don't suppose that the books from local history society - which I have now been informed are available and can be purchased - will arrive very shortly, so dunno.

Our paper has stopped coming

Jan. 14th, 2026 01:33 pm
dreamshark: (Default)
[personal profile] dreamshark
 Yes, we still subscribe to the paper copy of our local city paper, the Star Tribune. It's not perfect, but I very much want to keep what's left of local journalism alive. And Richard doesn't use electronic media, so he actually reads the whole thing.

But last weekend it just stopped being delivered. Curiously, that means that two different carriers just stopped showing up: the weekend one and the weekday one. When I reported it I got a canned response and credit for the missed papers. But there probably isn't much they can do about it. The paper carriers are probably in hiding from ICE.